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Product Information
Russian Orthodox Cathedral Choir of Paris
 
Russian Easter Liturgy
 
Artist: Russian Orthodox Cathedral Choir of Paris
Item number: AJ040
Category: Russian
Chant Type: Russian
Language: Church Slavonic
Label: Monitor
Period: Medieval
Length: 42'14
Release date: 1992
Read a description or review of this item.

Price: $17.99 USD
This product usually ships on the next business day.
 

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Track Listing
You may need RealPlayer or Windows Media Player to listen to the music samples below.
  1. Blessed is our God MP3  
  2. Arrived in the morning with Mary? MP3  
  3. Bless, O Lord MP3  
  4. Antiphons MP3  
  5. O come, let us worship?  
  6. Long Life to the Lord  
  7. Troparion of Pascha  
  8. Kontakion of Pascha  
  9. Those who are baptized in Christ  
  10. Prokimen  
  11. Hymn of the Cherubim  
  12. The Mercy of Peace  
  13. The Angel Proclaimed  
  14. Litany  
  15. Our Father  
  16. Let God be Resurrected  
Description    
A selection of the musical highpoints from the Easter liturgy, and the hours preceding. Most are characteristic of the Feast, such as the troparion, kondakion and anthems such as the Angel Proclaimed, while others are common to any liturgy: the Hymn of the Cherubim, a Mercy of Peace, the litany. The characteristic selections are classics, and will be noted by anyone who has heard the services -- the troparion, Wedel's trio for the Angel Proclaimed followed by Shine, Shine. The notes give a brief overview of the service and how the selections fit it, with a brief background on Slavonic and its culture. There are attributions, especially of the classic composed pieces, and brief segments of text in English in the notes. The play list is in English and Russian.
ReviewBy: Peter Schwalbenberg
The choir in this recording is a working choir in the church in which the music is recorded, and they convey the spirit of the music in the context of the services. The trios especially are very well performed, and the excellent soloists here succeed in drawing attention to the prayers (rather than themselves). The sound is the clearest of this Rue Daru series of recordings, and the enunciation of the text is even better than the high standard of the set as a whole, as is the chamber music clarity. The recording ends with a very lucid rendering of Bortniansky's exultant "Let God arise," a showcase of classical vocal writing.

This is a good disc to recall the highlights of this service as sung in a large Slavonic parish, and will delight those who attend them. Many do: the Easter service is one which no Slav would miss, even if they seldom or never go to church otherwise. (One priest claims to have heard an Easter-goer remark, "What a strange religion. Every time I come to church they sing "Christ is Risen.") The constraint of selecting a very few parts of this long service give it more of the sense of a performance than, say the Panikhida ("requiem," Liturgica catalog number AJ042) which is all of a piece and as so, sounds like a service -- and is another service no Slav would miss.

To hear the full Easter service in all its fullness, see "The Holy and Great Feast of Easter " (Liturgica catalog number AJ015), a two-CD set. This an important point. We cannot leave these crucial services as a few highlights culled from several hours of generally unintelligible activity. In a very favorable review of San Francisco's production of Messaien's St. Francis, Alex Ross says "sitting through the opera is at times a physical challenge - -even Wagner knew better than to write a two-hour second act -- yet the experience leaves one feeling strangely liberated. It harks back to one of those archaic Christian liturgies in which spells of boredom give way to precisely staged epiphanies--as when, in the Greek Orthodox Easter service, the church goes dark and the light of a single candle remains."

No doubt this is an experience worth having, and more than once. But it misses the complete experience that derives from engaging these profound luminous texts carefully crafted to express the joy and search the meaning of this utterly unanticipated event. Access to the full texts accesses the event itself, and makes the difference between the pointless tedium of boredom and the welcome fatigue of extended exhilaration.


   
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